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The iconic first novel from crime fiction master Raymond Chandler, featuring Philip Marlowe, the "quintessential urban private eye" (Los Angeles Times).
A dying millionaire hires private eye Philip Marlowe to handle the blackmailer of one of his two troublesome daughters, and Marlowe finds himself involved with more than extortion. Kidnapping, pornography, seduction, and murder are just a few of the complications he gets caught up in.
- Sales Rank: #12783 in Books
- Brand: Vintage Books USA
- Published on: 1988-07-12
- Released on: 1988-07-12
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .62" w x 5.19" l, .50 pounds
- Binding: Paperback
- 231 pages
- Vintage Books USA
Amazon.com Review
"His thin, claw-like hands were folded loosely on the rug, purple-nailed. A few locks of dry white hair clung to his scalp, like wild flowers fighting for life on a bare rock." Published in 1939, when Raymond Chandler was 50, this is the first of the Philip Marlowe novels. Its bursts of sex, violence, and explosively direct prose changed detective fiction forever. "She was trouble. She was tall and rangy and strong-looking. Her hair was black and wiry and parted in the middle. She had a good mouth and a good chin. There was a sulky droop to her lips and the lower lip was full."
From Library Journal
Chandler is not only the best writer of hardboiled PI stories, he's one of the 20th century's top scribes, period. His full canon of novels and short stories is reprinted in trade paper featuring uniform covers in Black Lizard's signature style. A handsome set for a reasonable price.
Copyright 2002 Reed Business Information, Inc.
Review
"Raymond Chandler is a master." --The New York Times
“[Chandler] wrote as if pain hurt and life mattered.” --The New Yorker
“Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious.” --Robert B. Parker, The New York Times Book Review
“Philip Marlowe remains the quintessential urban private eye.” --Los Angeles Times
“Nobody can write like Chandler on his home turf, not even Faulkner. . . . An original. . . . A great artist.” —The Boston Book Review
“Raymond Chandler was one of the finest prose writers of the twentieth century. . . . Age does not wither Chandler’s prose. . . . He wrote like an angel.” --Literary Review
“[T]he prose rises to heights of unselfconscious eloquence, and we realize with a jolt of excitement that we are in the presence of not a mere action tale teller, but a stylist, a writer with a vision.” --Joyce Carol Oates, The New York Review of Books
“Chandler wrote like a slumming angel and invested the sun-blinded streets of Los Angeles with a romantic presence.” —Ross Macdonald
“Raymond Chandler is a star of the first magnitude.” --Erle Stanley Gardner
“Raymond Chandler invented a new way of talking about America, and America has never looked the same to us since.” --Paul Auster
“[Chandler]’s the perfect novelist for our times. He takes us into a different world, a world that’s like ours, but isn’t. ” --Carolyn See
Most helpful customer reviews
7 of 7 people found the following review helpful.
Marlowe's worst clients ever
By Whistlers Mom
Published in 1939, this was Chandler's first full length book following a half dozen years of cranking out short stories for Black Mask and other pulp magazines. I can understand why it was well-received, but to me it's a weaker book than his later ones. Was the author having trouble shaking off the dust of the pulps or was he nervous about moving into the Big Leagues?
Part of the problem is that the family poor Marlowe is trying to protect are some of the most unappealing characters in modern literature. Marlowe seems to feel sympathy for old General Sternwood, but I think he's an awful old bastard. As for his two crazy daughters, the less said about them the better.
Of course, being Marlowe, our hero doesn't stick to the job at hand, but branches off whenever an interesting side-line appears on the horizon. He can never resist a challenge and he can never force himself to stick to the task at hand (the one he's supposedly being paid for.) It's what makes Chandler's stories fascinating, but not terribly realistic. A real detective follows the money. Marlowe follows his nose.
Some critics say that Marlowe is a modern-day knight, battling the dragons of corruption. In 1930's Southern California, he has plenty to keep him busy. Prohibition has been repealed and rum-running is only a fond memory, but the enterprising types who made a good living at it have transferred their talents to drugs and illegal gambling and pornography. And the bad, beautiful Sternwood sisters are right in the middle of it all.
There are some good characters, including the Sternwood's forceful old family retainer Norris. Norris is an anomaly in the Sternwood household and you have to wonder how he hooked up with them and why he stays. I also liked gambler/racketeer Eddie Mars. He's a man who operates outside of the law, but with the law's full knowledge and cooperation. He's a crook, but an intelligent one.
Mars isn't bound by any code of ethics, but he knows that violence creates trouble and trouble costs money. He prefers negotiation over strong-armed tactics, which makes him more predictable (and therefore less dangerous) than the low-level grifters who hang around the edges of large-scale crime. They're hoping to pick up crumbs dropped by the big crime bosses, but stupidity and greed bring them down.
A jarring note is the introduction of the pornographer's boyfriend and Marlowe's heavy-handed reaction to him. It doesn't advance the plot and it's not in keeping with Marlowe's tolerant persona. I suspect that Chandler wasn't yet sure enough of his talents to step out of the shadow of Dashiell Hammett, whose MALTESE FALCON created a sensation by featuring the forbidden topic of homosexuality. I've read all of Chandler's books and I don't remember him ever returning to this topic.
It's Chandler and it's good. It's just not as good as his later books. However, it launched him as a legitimate novelist and paved the way for FAREWELL, MY LOVELY and his other great books. Everyone has to start somewhere.
2 of 2 people found the following review helpful.
A Great 1940's Detective Novel. Wish I was as cool as Philip Marlow.
By W. Robert
A great 1940s detective novel. It was made into a fine movie starring Humphrey Bogart and Lauren Bacall. Just a few questions to be answered within the story: what does Eddie Mars have on the Sternwoods? Where is Eddie Mars' wife? What happened to Sean Regan? Why is Gwyn Geiger blackmailing the Sternwoods? Why is Harry Jones following Philip Marlow? What did General Sternwood hire Marlow to do? What was going on at Lavern Terrace the night Gwyn Geiger was was murdered? Who murdered Geiger? Was it the Sternwoods' chauffeur? Joe Brody? Eddie Mars? Somebody else? How did the the Sternwoods' chauffeur wind up dead in the big black Packard under 30 feet of water off Lido pier? Who moved Geiger's body? Why does Marlow find General Sternwoods' younger daughter nude and drugged at Lavern Terrace? Why does she turn up nude in his bed later on? Read the book to find out the answer to these questions and a whole lot more.
2 of 2 people found the following review helpful.
Really, really entertaining
By Margaret E.
I had already read this book long, long ago but decided it would be a good one to read aloud with my husband during the cocktail/chocolate/literature hour. It's even better read aloud. Having said that, however, if you do buy this on Kindle be sure and have a hard copy nearby since there are many, many typos and other mistakes in this version. Whoever edited it did a very poor job but that does not detract from the story itself. In reading it you will have to recall that a lot of what is portrayed is now cliché but at the time the story was written this was probably very original. "Move closer to me, you beast!" for instance. I have to admit that while we read this aloud we had to allow extra time for laughter at lines like that. It was entertaining in the extreme and although one of the murders was never solved I did learn from a PhD friend who taught murder mysteries at a university that when William Faulkner, who wrote the award-winning script for the movie version (I do not recall which one), called Raymond Chandler to ask, "Well, who killed (not going to say here)?" the answer was, "I don't know."
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